Fluscia, Performance/Dance, 2024, Daniela Georgieva

How does falling sound, or getting up? What’s the speed of a hum, and what momentum is inherent to song? How can we touch each other physically and acoustically? Questions like these form the basis of Daniela Georgieva’s most recent piece Fluscia that explores relationships among dancers and between them and the audience in a sensual manner. Fluscia logically continues the exploration of forms of physical closeness and distance Georgieva started in her 2022 collaboration with her colleague Hugo Le Brigand, 270206. This time, the two artists add an acoustic dimension to their experience. They investigate the types of contact and relation that can possibly emerge between different bodies: bodies of movement, acoustic bodies, affective bodies. The idea is that these kinetic, haptic, acoustic relationships in turn produce new bodies and new constellations. The interplay of dancers’ body voices with electro-acoustic compositions is at the very centre of Fluscia.

25.,26.,27.4.2024 at Brut Vienna

"Daniela Georgievas Fluscia brillant im Brut-Theater" - Der Standard critique by Helmut Ploebst

Concept and choreography by Daniela Georgieva
Choreography, dance by Hugo Le Brigand, Lina Venegas, Valentino Skarwan
Dramaturgical consultant by Liv Schellander
Outside eye by Lena Megyeri
Sound design / music by Moritz Nahold & Tanja Fuchs
Light design by Samuel Schaab
Costume, installation by Anna Sedlmayr // ANN[DONE
Production by Wibke Scheler
Photos by Maximilian Pramatarov